The first time I ever heard of Max Bruch’s Violin Concerto in G Minor was when I was in high school, when I was playing time-keeper for a music competition. I watched an 11-year-old Korean girl play the 3rd movement flawlessly. Technique, tone, tempo – all of it (at least to me) was perfect. I would like to believe she went on to win the school-wide inter-scholastic competition. What she missed, though, was emotion. It was mechanically flawless but a little wanting of soul. Perhaps it was her youth.
These judgments, however, are clearly only my humble opinion. I don’t claim to offer any authoritative criticism whatsoever. It’s funny though, what people have to say about musical performances. Some people are experts, others amateurs. Some people just judge based on emotion. Some don’t offer any sort of productive feedback at all. Me – I can only base things on what I like, really.
So here are my two cents on five performances of the 3rd movement of Bruch’s Violin Concerto in G Minor presented on YouTube. I try not to read the comments until I’m well into the performance, so I can get my own impressions. I find that I tend to agree with the general gist of some comments, though others I am keenly against. Furthermore, I am in no way, shape or form claiming that I can play even close to 1/1000 as well as how these people play – I just know what I like to see and hear. And, maybe to some extent (I say guiltily), I like what adheres a little more closely to the breathtaking and masterful Itzhak Perlman (with the London Symphony Orchestra conducted by Andre Previn) recording I grew up with. Either way, I’ve tried to take these pieces on their own merit. The sample is taken from YouTube (which is the easiest access I have to many videos/recordings in one sitting) and is in no way, shape or form random. I just picked the ones that I found were nice to hear and see. So much for the disclaimer.
Without further ado…
Continue reading ‘Never Judge a Bruch by Its Cover’